NMy friend Meg Harper wrote this for St. Michaels and all Angels Episcopal in Dallas. She’s the assistant organist and choir director there. I met her when she was director of music at St. John’s Episcopal in Portsmouth.
An Organist’s Letter to Her Congregation (3 minute read)
By Dr. Margaret “Meg” Harper, Associate Director of Music & Organist
On Sunday mornings these days, the congregation of Saint Michael is spread across our city (and world), watching our live-streamed liturgies from home. When I ask people what they miss the most, one of the most frequent answers is that they miss singing hymns together.
I’ve been thinking recently about the way that the organ is an ideal instrument for this time. The organ has always been symbolically rich for use in the church, and perhaps more so now than ever. The organ is made of many, many pipes-in the case of Saint Michael’s organ-4,927 pipes. Each of these makes a different sound. Some are similar to one another; others are quite distinct. No two are identical. The organ is designed to make many voices speak together, sometimes in complete unity, sometimes complementing one another, and sometimes showcasing contrasts.
Of the church, 1 Corinthians 12:7-12 says,
“The Holy Spirit is given to each of us in a special way. That is for the good of all. To some people the spirit gives a message of wisdom. To others the same Spirit gives a message of knowledge. To others the same Spirit gives faith. To others that one Spirit gives gifts of healing. To others he gives the power to do miracles. To others he gives the ability to prophesy. To others he gives the ability to tell the spirits apart. To others he gives the ability to speak in different kinds of languages they had not known before. And to still others he gives the ability to explain what was said in those languages. All the gifts are produced by one and the same Spirit. He gives gifts to each person, just as he decides. There is one body, but it has many parts. But all its many parts make up one body. It is the same with Christ.”
Saint Michael is made up of many members, each of whom bring to our church and our community unique gifts. None of us can be the entirety of God’s work in our world; we work best when we work together. It’s the same with the organ, and this is why this particular instrument provides such an excellent representation of the singing of God’s people.
Take for instance the Flûte harmonique. One of the most beautiful stops on our organ, this rank of pipes creates a melodious voice, well suited to playing a lyrical melody in a soft piece. It makes an elegant soloist, captivating and luscious. Consider the Voix humaine. An opinionated stop, the Voix humaine speaks with a quiet yet assertive tone. It is an acquired taste and to some people sounds a bit nasal. I love its clear sense of individual character. How about the Chamade, bold and brilliant, used on Easter to trumpet forth hymn melodies? Each of these sets of pipes has a distinct role, and when used well, work together with the whole of the instrument.
Likewise, our church is made of many members, each unique and each essential to the whole. We have teachers who lead small groups, imparting wisdom to their peers. We have quiet, behind-the-scenes organizers who make sure that each effort of the church is well planned. We have creative thinkers who imagine new ways we can reach our community. My point is this: we’re each unique, given different gifts by the Spirit, and we work best when we work together.
So, until we can be back together, I challenge for you to listen for your own voice on Sunday morning live-streamed liturgies. Perhaps you are the strong support of the Chamade, or perhaps you are the lyric voice of the Flûte harmonique. Whatever the case, we’re all represented: each of our unique voices speak together as one. As the organ echoes forth on hymns, sing along whole-heartedly from home, and know that the organ is singing for all of us until we can all be back together again.